Watts Towers

"I had in mind to do something big and I did it."—Simon Rodia
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Constructed between 1921 and 1954/55 by Italian immigrant Simon Rodia, the Watts Towers have become an iconic monument to the city.

The collection of seventeen structures, which Rodia himself called Nuestro Pueblo (“our town”), were erected by hand and made of steel rods wrapped in wire mesh and coated with cement. Embedded into nearly every inch of the environment are shards of ceramics, bottles tiles, shells, and other scraps—often brought to Rodia by others in the neighborhood.

Owned by the State of California and managed by the City of Los Angeles, The Watts Towers are a National Historic Landmark and one of the most widely recognized works of art to come out of Southern California in the last century.

LACMA has partnered with the City of Los Angeles’s Department of Cultural Affairs toward the preservation of this landmark work of art. Throughout 2011 LACMA’s Conservation Center will develop a comprehensive plan for the long-term preservation of the Towers.

1st Quarterly Report
2nd Quarterly Report
3rd Quarterly Report

The museum will also focus its efforts on raising both funds and awareness around the Towers, including reaching out to other local institutions for their expertise and recommendations in support of LACMA’s efforts.

 

Image: 2011 © Museum Associates

Funding for the planning phase was made possible by a grant from

Conservation Center at LACMA
Watts House Project
Watts Towers Art Center
Art Programs with the Community

The Towers

Directed by William Hale

We are grateful to be able to share this 1957 film about Watts Towers and Simon Rodia.

Produced by Rembrandt Films, William Hale and Antonio M. Vellano.

Run time: 12 minutes

Remastered 2010 by Over the Moon Productions

Join Us in Watts

Down at Watts Towers, a LACMA conservation team has been assessing Simon Rodia’s monument for several months. The team is working on an inventory of detached ornaments that have fallen from the Towers over time; securing loose or endangered elements; performing a thorough condition survey of the lower part of the monument; researching appropriate conservation materials, and monitoring cracks, to name just a few of their current activities...

Q&A with Artist Alison Saar about Her Connection to Watts Towers

I recently had the pleasure of interviewing Alison Saar, a sculptor who is a native Angeleno, over tea and coffee at Ray’s on LACMA’s campus. I wanted to ask her about the lifelong relationship she has had with the Watts Towers. She comes from a family immersed in art: Her mother, Betye Saar, is also an artist and her father, Richard Saar, was an art conservator. The family’s connection with the Towers began with her maternal great-grandmother, a resident of Watts, and continued with her mother, who saw Simon Rodia’s work in progress, before being passed along to Alison and even now to Alison’s children...

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