In this series, Josephine Pryde shows young women’s hands in close encounters with their bodies, screens, or other objects that serve to define them. Her cropped compositions create pitched tableaux that skew ironic and inscrutable, while her use of the vertical phone-camera format mirrors contemporary methods of photography and display. Frozen in time, the women’s unselfconscious gestures seem stylized, pointing toward the selfhood we seldom acknowledge while continually gazing into the world of our smartphones.