LOS ANGELES – The Los Angeles County Museum of Art (LACMA) presents Lee Mullican: An Abundant Harvest of Sun, on view from November 10, 2005 through February 20, 2006. Organized by LACMA Curator of Modern and Contemporary Art Carol S. Eliel, the exhibition features 46 paintings, 24 drawings, and 10 sculptures by the West Coast artist. Mullican (1919-98) has been acknowledged as the exemplar of “the postwar opening of the American mind.” Nonetheless, he has been relatively neglected with no major exhibition of his work organized since 1980. LACMA’s exhibition offers the public a full retrospective that will finally bring Mullican the credit he is due.

For over 50 years Lee Mullican created paintings, drawings, and sculptures of great beauty and shamanistic power. His images simultaneously engage the eye, the mind, and the heart with their combination of visual beauty, a fine application of paint, and a broad range of influences and references, including Native American art and culture, modern art, Zen Buddhism, Hinduism, and beyond. The richness of Mullican’s imagination coupled with the breadth of his interests gave rise to a body of work that addresses issues such as the apparent conflict between abstraction and figuration, the absorption of Western and non-Western sources, and the relationship between form and content that are central to the art of the second half of the twentieth century.

The majority of the works in the exhibition were created in the 1950s and 1960s, when Abstract Expressionism ruled the New York-centric art world. Although Mullican had shown in some of New York’s major galleries, including six shows at the Willard Gallery from 1950-1967, neither he nor most other artists working in Southern California received much attention in the national and international art world. This imbalance began to shift in the 1980s with representatives of younger generations of California artists coming to recognition (John Baldessari, Chris Burden, Mike Kelley, and Lari Pittman among others), yet only now are earlier California-based artists receiving national attention. LACMA strives to record the history of art in Southern California, and Lee Mullican will include several of the museum’s own acquisitions of Mullican’s art including two paintings (both gifts of Fannie and Alan Leslie, including the masterpiece Space, 1951), numerous works on paper, and two sculptures.

“At its core Mullican’s art is about what it meant to be a human in the second half of the twentieth century, a period bracketed by the deployment of the atom bomb in 1945 and Mullican’s own death in 1998, said LACMA curator and exhibition organizer Carol S. Eliel. “His artistic concerns were simultaneously as expansive as the entire cosmos and as minute as the hundreds of printer’s knife strokes out of which he built his imagery; his artistic interests ranged equally widely, from Native American to South Asian art, from Surrealism to Zen Buddhism. Mullican sought both within himself and throughout the cosmos for the familiar as well as the awesome; he then strove to express the specific as well as the universal through his art, which encompasses both abstraction and figuration.”

About the Artist
Born in 1919 in Chickasha, Oklahoma, Mullican’s interest in art developed during his late teens. He attempted to study art at both Abilene Christian College (Abilene, Texas) and the University of Oklahoma; however, it was not until he enrolled at the Kansas City Art Institute in 1941 that his serious training in art began. Mullican was inducted into the U.S. Army Corps of Engineers the following year, and his training at topographical school in Fort Belvoir, Virginia, greatly influenced his later artistic production. Not only did Fort Belvoir’s location allow Mullican the opportunity to visit museums and galleries in Washington, D.C. and New York City, but he worked often with aerial photographs, which he loved and elements of which later made their way into his paintings.

During his time in the army Mullican discovered DYN magazine and the work of its publisher, artist Wolfgang Paalen. The periodical, whose name was derived from the Greek word tó dynatón meaning “the possible,” focused on the relationship among art, science, and the imagination. It also highlighted Surrealism and non-European—especially Native North and South American—art. Mullican was immediately drawn to the magazine’s content. After his discharge from the army in 1946, the artist moved to San Francisco in 1947 where he met fellow painter Gordon Onslow Ford and later Paalen. In 1951, the three artists collaborated on an exhibition at the San Francisco Museum of Art called Dynaton, which included not only their own art but also the Native American works that would continue to influence them creatively.

In 1952, Mullican settled in Santa Monica and began teaching, first through UCLA Extension, then at USC, and finally at UCLA. Through both his works and teaching, the artist became a mainstay of the Los Angeles art community and a mentor to many younger artists. Renowned painter Lari Pittman has written an homage to Mullican as teacher and mentor for the LACMA exhibition catalogue. Although Mullican’s work evolved over the years, it continued to reflect his concerns dating back to the 1950s. Putting aside the grandeur and heroicism of the Abstract Expressionists of the New York School, his focus was quieter and more intimate, continuously investigating both the inner world and the cosmos through his works.

Credit
This exhibition was organized by the Los Angeles County Museum of Art and was made possible in part by The Andy Warhol Foundation for the Visual Arts, the Herta and Paul Amir Art Foundation, and The Judith Rothschild Foundation. Additional support was provided by the Pasadena Art Alliance.

About LACMA
Established as an independent institution in 1965, the Los Angeles County Museum of Art has assembled a permanent collection that includes approximately 100,000 works of art spanning the history of art from ancient times to the present, making it the premier encyclopedic visual arts museum in the western United States. Located in the heart of one of the most culturally diverse cities in the world, the museum uses its collection and resources to provide a variety of educational and cultural experiences for the people who live in, work in, and visit Los Angeles. LACMA offers an outstanding schedule of special exhibitions, as well as lectures, classes, family activities, film programs, and world-class musical events. The museum offers free admission after 5 pm every day the museum is open and all day on the second Tuesday of each month. LACMA's “Free after Five” program is sponsored by Target.

General Information
For general information, call (323) 857-6000. For press information, images, or to schedule an interview, call (323) 857-6522.

Museum Hours: Monday, Tuesday, and Thursday noon–8 pm; Friday noon–9 pm; Saturday and Sunday 11 am–8 pm; closed Wednesday, Thanksgiving, and Christmas. Call (323) 857-6000, or visit our web site at www.lacma.org for more information.

General LACMA Admission: Adults $9; students 18+ with ID and senior citizens 62+ $5; children 17 and under are admitted free. Admission (except to specially ticketed exhibitions) is free the second Tuesday of every month, and evenings after 5 pm.


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