Curator Franklin Sirmans visits artist Chris Beas in his studio in East Los Angeles (Cypress Park) to talk about fútbol myths and Manchester red. Fútbol: The Beautiful Game is open through July 20, 2014.
Artist Aime Mpane talks about his installation Congo: Shadow of the Shadow (2005), on loan from the Smithsonian Institution's National Museum of African Art. The piece uses the play of light and shadow, substance and ethereality to comment on the re-shaping of power during the colonial period in Congo. The piece is included in the exhibition Shaping Power: Luba Masterworks from the Royal Museum for Central Africa, on view through May 4, 2014.
In 2007 LACMA acquired a group of six paintings by the Mexican painter Juan Patricio Morlete Ruiz. When LACMA acquired the works they were covered with a yellow varnish layer that obscured the contrast and tonality of the original colors and flattened the perspective. Once removed, the illusion of space and depth returned, revealing the work of a thoughtful and highly skilled artist. This video documents the process of conserving Morlete's pictures.
In the early morning hours just before dawn on March 10th, 2012, the transporter carrying the megalith that will be part of Michael Heizer's Levitated Mass at LACMA arrived at the museum. The transporter traveled through four counties (Riverside, San Bernardino, Orange, and Los Angeles) and twenty-two cities in a carefully orchestrated journey that attracted thousands of bystanders. At 340 tons, the boulder is one of the largest megaliths moved since ancient times.
Levitated Mass is expected to open to the public June 24, 2012. Learn more
Frame x Frame: Reimagining the Everyday is a tour and digital animation workshop for seventh grade students. Teaching Artists lead students on a tour of the collection, analyzing how artists have transformed ordinary objects in unexpected ways. Following the tour, students visit the studio where they re-imagine everyday items by combining the traditional art of drawing with technology. Learn more.