Felipe Baeza’s experience as an undocumented queer immigrant has informed his practice. His work incorporates printmaking and collage; for Untitled (so much darkness, so much brownness), he embroidered an image of a Mexican family attempting to cross the United States border onto a salvaged map. Baeza then laid the paper face-down on the floor and layered “skins” of pigments, powder, and water on top of it. He completed this process around a dozen times for this work, emphasizing the labor and layers that lie beneath the surface of the image.