A radical photographer who is said to have never owned a camera, Robert Heinecken reworked found imagery from advertising, popular culture, and pornography in order to critique the strategies of print and broadcast media. His 1989 portfolio Recto/Verso includes twelve sumptuously glossy prints featuring images of women advertising makeup, jewelry, jeans, and bathing suits. Each print records light passing through a single magazine page so that the pictures on the front (recto) and back (verso) overlap to make a single image.