This exhibition marks the first major retrospective of the work of Pierre Huyghe (b. 1962, Paris). Huyghe creates films, installations, and events that blur fact and fiction, reinvent rituals of social engagement, and use the exhibition model as a site for playful experimentation. Organized thematically, the exhibition covers more then two decades of Huyghe's career, with a focus on cinema as both model and matrix. By filming staged scenarios, Huyghe probes the capacity of art to distort and ultimately shape reality through methods that are filmic, spatial, or social.
In keeping with the artist’s desire for a non-hierarchical presentation, the exhibition is designed as a single, extraordinary environment, like a park or garden: a public sphere where a visitor can walk, reflect, and take in a variety of attractions through participation, thoughtful immersion, or simply as a passer-by.
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Image: Pierre Huyghe, Untitled (Liegender Frauenakt), 2012. Concrete, beehive and bees. © Pierre Huyghe, courtesy Marian Goodman Gallery, New York/ Paris