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              Ilona Katzew, Curator of Latin American Art, Talks about "Pinxit Mexici" and Building the Collection
        
  
  
          Unframed Blog
        
    
                                      
          
   | Jun 19, 2017
    
    
    
  … look right, so I asked Joe Fronek, our head of paintings conservation with whom I often travel to view paintings, if … discovery.…
  
          Unframed Blog
        
    
                                      
          
   | Dec 03, 2022
    
    
    
  … collection and this year’s exciting exhibitions like Objects of Desire, Barbara Kruger: Thinking of You. I Mean … Design and the…
  
          Unframed Blog
        
    
                                      
          
   | May 03, 2016
    
    
    
  … We searched high and low for over 300 prop and collection objects to finish the mannequins’ total looks. Historical … weeks, the…
  
          Unframed Blog
        
    
                                      
          
   | Nov 07, 2017
    
    
    
  … video series featuring contemporary artists speaking on objects of their choice from our permanent …
  
          Unframed Blog
        
    
                                      
          
   | Jan 01, 2013
    
    
    
  … Soto’s Penetrabile, and the installation of the hundreds of objects in the Stanley Kubrick exhibition. A member of the LACMA…
  
          Unframed Blog
        
    
                                      
          
   | May 20, 2013
    
    
    
  … the painting had hung in the historic home. And indeed, our conservation center had cleaned the painting, rendering it … to me, “…
  
          Unframed Blog
        
    
                                      
          
   | Dec 09, 2013
    
    
    
  … acquaintances, but as close friends. The line between objective history and the personal became blurred. Contrary …
  
          Unframed Blog
        
    
                                      
          
   | Jul 18, 2016
    
    
    
  … characterized as a source of delirious, dangerous pleasure. Objecting to the book’s graphic content, censors took Grosz …
  1976 | Gelatin silver print
 to Senator Jesse Helms and other conservative forces who, in 1989-90, objected ...
1986 | Wood, metal, beads, pigment, string, and rubber
 of pioneering Black assemblage artist Betye Saar and art conservator Richard Saar, ...  range of art objects—all of which fueled her desire to create work ...
1985 | Wood, tin, shards and pigment
 Black assemblage artist Betye Saar and art conservator Richard Saar, ...  range of art objects—all of which fueled her desire to create work ...
1983 | Wood, lead, and rope
 assemblage artist Betye Saar and art conservator Richard Saar, Alison Saar grew ...  objects—all of which fueled her desire to create work reflecting what she has ...
1925 | Oil on canvas
 Objectivity) exhibition at the Kunsthalle Mannheim in 1925. Among the twelve ...  leanings, Schrimpf is considered part of the more “conservative,” predominantly southern German contingent of New Objectivity artists, due ...
circa 1934 | Oil on canvas
 career. In Essays on Art he expressed his reverence for the simple objects ...  to us. Things, objects, mutely cry to us: Touch us, taste us, feel us, see ...  in his figure paintings, in his still lifes he remained conservative ...
negative 1976, printed 1990 | Gelatin silver print
 and other conservative forces who objected to Mapplethorpe's posthumous ...
1976 | Gelatin silver print
 was condemned by Senator Jesse Helms and other conservative forces who objected ...
6th century A.D. | Earthenware
 sure that it was authentic. To hear conservator John Hirx explain ... ;></script> <object id="kaltura_player_1375240582" ...  content="application/x-shockwave-flash"></span> </object> Handbook:  Label:  Bibliographic Entry:  Mintz, ...
1912 | Oil on canvas
 contemplation, or quiet examination of an object. Often, as in this painting ...  fascination with an object that she holds in her hand. In these paintings Hassam ...  delineation of form Hassam was more conservative in the window series than ...
circa 1900 | Oil on canvas
 l’oeil as the sole aim of his art. In Harnett’s paintings, objects were ...  before they were convinced that the objects they were seeing were painted, ...  could affect an object rather than with the precise rendering ...
1916 | Oil on canvas
 objects. Breckenridge often borrowed from Matisse the device of placing a painting or patterned hanging, here an altar cloth, behind the objects ...  (1880-1952), and the two even used the same objects in their still-life ...
circa 1450 | Light yellow marble with black striations
 object, while her raised right hand may have grasped its lower edge. She ...  for Conservation and Technical Studies, Harvard University Art Museums, 1984. Pal, ...
1925 | Oil on canvas
 Henri’s portrayal of Ada Harrison is somewhat conservative, probably due ...  With an emphasis on material objects and textures, academic artists immortalized ...  with the objective detail of a photograph. Artists were now encouraged to leave ...
1899 | Oil on canvas
 then, the painting is deeply conservative. But its essential modernity ...  With an emphasis on material objects and textures, academic artists immortalized ...  with the objective detail of a photograph. Artists were now encouraged to leave ...
1627 | Oil on canvas
 (letter dated 22 April 1987, Reni object file, Department of European ...  Ugo was appointed conservator of Rome in the years 1686, 1695, and 1704. ...