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Unframed Blog
| Jan 04, 2012
… that came from the Atlantic and Pacific coasts. Bringing objects from these remote areas demonstrated the Aztec’s reach and power…
Unframed Blog
| Apr 13, 2010
… but the Art Stays Still April 13, 2010 Scott Tennent Conservation Like a lot of people in L.A., especially in the … should I fear…
Unframed Blog
| Dec 13, 2016
… Layers: 3D Printed Jewelry December 13, 2016 Charlotte Eng, Conservation Scientist, Conservation Center…
Unframed Blog
| Oct 14, 2010
… Esguerra, Curatorial Assistant, Costume and Textiles Conservation In the years, months, and days that led up to … portray the…
Unframed Blog
| Feb 09, 2011
… and Mark Gilberg, the Suzanne D. Booth and David G. Booth Conservation Center Director. UPDATE: We are pleased to … street when…
Unframed Blog
| Dec 03, 2018
… French Mat Making December 3, 2018 Adriana Breisch, Paper Conservation TechnicianNaoko Takahatake, Curator, Prints and … us to…
Unframed Blog
| Feb 12, 2024
… 12, 2024 Alexa Machnik, Andrew W. Mellon Fellow in Paper Conservation Korean art Korean Treasures from the Chester … as hanging…
Unframed Blog
| Aug 01, 2022
… power of the region—all as told through the individual objects,” said Katzew. Each contribution is conceived as a … aesthetic, and…
1986 | Wood, metal, beads, pigment, string, and rubber
pioneering Black assemblage artist Betye Saar and art conservator Richard Saar, Alison Saar grew up in ... a household filled with creative energy and a broad range of art objects—all of which fueled her desire to ...
1925 | Oil on canvas
Objectivity) exhibition at the Kunsthalle Mannheim in 1925. Among the twelve works he exhibited, four were ... leanings, Schrimpf is considered part of the more “conservative,” predominantly southern German contingent ... of New Objectivity artists, due to the many classicizing motifs in his work that evoke the Italian ...
circa 1934 | Oil on canvas
throughout his career. In Essays on Art he expressed his reverence for the simple objects of a still life: ... "We speak about things, but we seldom hear things speak to us. Things, objects, mutely cry to us: ... adventuresome in his figure paintings, in his still lifes he remained conservative for a longer period of time. ...
negative 1976, printed 1990 | Gelatin silver print
conservative forces who objected to Mapplethorpe's posthumous retrospective exhibition "The Perfect ...
1976 | Gelatin silver print
when Mapplethorpe's work was condemned by Senator Jesse Helms and other conservative forces who ... objected to Mapplethorpe's posthumous retrospective exhibition "The Perfect Moment, organized by ...
1976 | Gelatin silver print
innocence." This recollection provides a counterpoint to Senator Jesse Helms and other conservative forces ... who, in 1989-90, objected to Mapplethorpe's posthumous retrospective exhibition "The Perfect ...
1985 | Wood, tin, shards and pigment
Betye Saar and art conservator Richard Saar, Alison Saar grew up in a household filled with creative ... energy and a broad range of art objects—all of which fueled her desire to create work reflecting what she ...
1983 | Wood, lead, and rope
Betye Saar and art conservator Richard Saar, Alison Saar grew up in a household filled with creative ... energy and a broad range of art objects—all of which fueled her desire to create work reflecting what she ...
1912 | Oil on canvas
an object. Often, as in this painting and Tanagra, 1918 (National Museum of American Art, Smithsonian ... horizontal composition, and the woman’s fascination with an object that she holds in her hand. In these ... delineation of form Hassam was more conservative in the window series than in his flag paintings of the same ...
1916 | Oil on canvas
complementary color of the rose drape next to the green objects. Breckenridge often borrowed from Matisse the ... device of placing a painting or patterned hanging, here an altar cloth, behind the objects on the table ... often worked closely with Arthur B. Carles (1880-1952), and the two even used the same objects in their ...
circa 1450 | Light yellow marble with black striations
once held a now-missing disk or other indeterminate object, while her raised right hand may have ... Conservation and Technical Studies, Harvard University Art Museums, 1984. Pal, Pratapaditya; Dehejia, Vidya; ...
circa 1900 | Oil on canvas
paintings, objects were depicted so realistically that many people actually had to touch the canvas before ... they were convinced that the objects they were seeing were painted, not "real." Peto, ... however, was more concerned with the manner in which light could affect an object rather than with the ...
1925 | Oil on canvas
conservative, probably due to her social prominence and to the fact that the work was intended to hang in the ... material objects and textures, academic artists immortalized their patrons’ importance in full-length ... impressionists have to record the physical world with the objective detail of a photograph. Artists were now ...
6th century A.D. | Earthenware
hear conservator John Hirx explain the thermoluminescence testing process, press the audio play button ... /uiconf_id/6232402/partner_id/491681"></script> <object id="kaltura_player_1375240582" ... content="application/x-shockwave-flash"></span> </object> Handbook: Label: Bibliographic Entry: Mintz, Robert. 2014. <em>Japanese ...
1899 | Oil on canvas
painting is deeply conservative. But its essential modernity is announced in subtle ways: the abrupt ... material objects and textures, academic artists immortalized their patrons’ importance in full-length ... impressionists have to record the physical world with the objective detail of a photograph. Artists were now ...
1627 | Oil on canvas
and is in vol. 697, fols. 103–15v, 156–65r" (letter dated 22 April 1987, Reni object file, ... Isabella, wife and heir of Octavian Ubaldini. Ugo was appointed conservator of Rome in the years 1686, 1695, ...