Ken Price Sculpture: A Retrospective
For more than fifty years, Ken Price, born in 1935 in Los Angeles, California, created remarkable and innovative works that have redefined contemporary sculpture practice. Price procured a cult following among critics and scholars since the 1960s, including Lucy Lippard, who declared in 1966, “It is a fact rather than a value judgment that no one else, on the east or west coast, is working like Kenneth Price.” Price’s work has been much talked about, though not widely exhibited until relatively recently (and then only in group shows or in commercial gallery presentations). Ken Price Sculpture: A Retrospective traces the development of Price’s sculptural practice from his luminously glazed ovoid forms to his suggestive, molten-like slumps, positioning him within the larger narrative of modern American sculpture. This sculptural retrospective honors the late artist’s creativity, originality, and revolutionary art practice.
Architect Frank O. Gehry, who enjoyed a friendship with Price of almost fifty years, is designing the exhibition. A fully illustrated catalogue includes essays by Stephanie Barron (exhibition curator) as well as art historians and critics Phyllis Tuchman and Dave Hickey, and an extended interview with the artist by MaLin Wilson Powell.
Reflections on Ken Price (PDF | 300 kb)
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This exhibition was organized by the Los Angeles County Museum of Art. It was made possible through major grants from the LLWW Foundation, The Andy Warhol Foundation for the Visual Arts, and The Aaron and Betty Lee Stern Foundation. Generous support for the catalogue was provided by The Shifting Foundation and Friends of Contemporary Ceramics. Marketing support by Matthew Marks Gallery. Image: Ken Price, Balls Congo, 2003, Fired and painted clay, 22 x 18 x 18 inches, Linda Schlenger, ©Ken Price, Photo © 2011 Fredrik Nilsen.
Fredrik Nilsen is the latest contributor to our Artists Respond series of web-based project inspired by an exhibition at LACMA. Nilsen made all of the exquisite photographs in the publication associated with the Ken Price exhibition that just opened this weekend; for Artists Respond, Nilsen shares his own artistic practice, pairing some of his own work with selected works by Price in an online gallery that he describes here...
In the late 1970s, I was introduced to sculptor Ken Price by Betty Asher, then curatorial assistant in the department of modern art. Betty was an avid collector and a close friend of Ken and his wife, Happy. Fellow curator Maurice Tuchman and I were preparing a show of Price’s decade-long endeavor...