Past Exhibitions

An archive of two decades of exhibitions at LACMA, including landmark presentations such as Magritte and Contemporary Art: The Treachery of Images (2006), John Baldessari: Pure Beauty (2010), Gifts of the Sultan: The Arts of Giving at the Islamic Courts (2011), James Turrell: A Retrospective (2013), and The Portable Universe/El Universo en tus Manos: Thought and Splendor of Indigenous Colombia (2022). Browse the full archive by year.

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Installation photograph, Samurai: Japanese Armor from the Ann and Gabriel Barbier-Mueller Collection, Los Angeles County Museum of Art, October 19, 2014 - February 01, 2015, photo © Museum Associates/LACMA

Samurai: Japanese Armor from the Ann and Gabriel Barbier-Mueller Collection

Oct 19, 2014–Feb 1, 2015 | Resnick Pavilion

Samurai: Japanese Armor from the Ann and Gabriel Barbier-Mueller Collection
Oct 19, 2014–Feb 1, 2015 | Resnick Pavilion

Travel back in time and discover remarkable objects that illuminate the life, culture, and pageantry of the samurai, the revered and feared warriors of Japan. The Samurai Collection of Ann and Gabriel Barbier-Mueller, one of the finest and most comprehensive collections in the world, presents a treasure trove of battle gear made for high-ranking warriors and daimyo (provincial governors) of the 14th through 19th centuries. The exhibition illustrates the...

Archibald J. Motley Jr., Black Belt, 1934, Collection of the Hampton University Museum, Hampton, Virginia. © Valerie Gerrard Browne.

Archibald Motley: Jazz Age Modernist

Oct 19, 2014–Feb 1, 2015 | BCAM, Level 3: Nathanson Gallery

Archibald Motley: Jazz Age Modernist
Oct 19, 2014–Feb 1, 2015 | BCAM, Level 3: Nathanson Gallery

Archibald Motley: Jazz Age Modernist presents a full-scale survey of one the most important artists of the Harlem Renaissance, featuring the painter's visual examination of African American culture during the Jazz Age. The exhibition covers Motley's entire career, including periods in Chicago, Paris, and Mexico. Motley received his formal training at the School of the Art Institute of Chicago, and went on to create strong and somewhat solemn portraits of...

Marsden Hartley, The Iron Cross, 1915, oil on canvas, 47 ¼ × 47 ¼ inches, Mildred Lane Kemper Art Museum, Washington University in St. Louis; university purchase, Bixby Fund, 1952.

Marsden Hartley: The German Paintings 1913–1915

Aug 3–Nov 30, 2014 | BCAM, Level 2

Marsden Hartley: The German Paintings 1913–1915
Aug 3–Nov 30, 2014 | BCAM, Level 2

This exhibition features the work of influential American modernist painter Marsden Hartley (1877–1943). Approximately twenty-five of the artist’s seminal works from his years spent in Berlin (1913–1915) reveal the profound impact of World War I and elucidate the artist's appropriation of military symbols and Native American motifs. Hartley’s paintings from this period reflect dynamic shifts in style and subject matter, and evidence a critical moment in his body of work...

Gavin Jantjes, South Africa, Untitled, 1989–1990, Acrylic on canvas, National Museum of African Art, Smithsonian Institution, purchased with funds provided by the Smithsonian Collections Acquisition Program, 96-23-1, Photograph by Franko Khoury.

African Cosmos: Stellar Arts

Aug 24–Nov 30, 2014 | Hammer Building, Level 3

African Cosmos: Stellar Arts
Aug 24–Nov 30, 2014 | Hammer Building, Level 3

African Cosmos: Stellar Arts is the first major exhibition to explore the historical legacy of African cultural astronomy and its intersection with traditional and contemporary African arts. For millennia, Africans have gazed upon the celestial firmament, made sense of the heavenly bodies above them, and used their observations to chart movements through the physical environment and regulate agricultural and ritual calendars. The exhibition considers how the sun, moon and stars...

Proposal for White and Indian Dead Monument Transpositions, Washington, D.C., 2005. Medium density fiberboard, fiberglass, foam, enamel, acrylic, basswood, balsa wood, birch veneer, copper. Purchased with funds provided by Allison and Larry Berg, Holly and Albert Baril, Viveca Paulin-Ferrell and Will Ferrell, Linda and Jerry Janger, and H. Tony and Marti Oppenheimer through the 2013 Collectors Committee. M.2013.123.1-31. © Sam Durant

Sam Durant: Proposal for White and Indian Dead Monument Transpositions, Washington, D.C.

Aug 3–Nov 30, 2014 | BCAM, Level 2

Sam Durant: Proposal for White and Indian Dead Monument Transpositions, Washington, D.C.
Aug 3–Nov 30, 2014 | BCAM, Level 2

Proposal for White and Indian Dead Monument Transpositions, Washington, D.C. (2005), a large-scale installation by Los Angeles artist Sam Durant, is presented at LACMA for the first time since entering the museum’s collection in 2013. The work takes as its starting point monuments found throughout the United States commemorating those killed during the “Indian wars” between Native Americans and white settlers. These conflicts occurred intermittently for more than 200 years...

Edward Biberman, Abbot Kinney and the Story of Venice, lent by the United States Postal Service®. Recent conservation provided by Joel Silver. Photo: Anthony Peres © 2014

Edward Biberman, Abbot Kinney and the Story of Venice

May 18–Nov 16, 2014 | Art of the Americas Building, Level 3

Edward Biberman, Abbot Kinney and the Story of Venice
May 18–Nov 16, 2014 | Art of the Americas Building, Level 3



Initially created in 

1941 for the Post Office in Venice, California, under the auspices of the Treasury Department’s Section of 

Fine Arts, Edward Biberman's mural Abbot Kinney and the Story of Venice has been recently restored. The monumental painting depicts city founder Abbot Kinney’s grand vision for Venice as a 

West-coast cultural mecca. The exhibition includes  other works of art from the museum’s collection, as well as historical photographs and...

Installation photograph, Fragmentary Tales: Selections from the Lloyd Cotsen "Textile Traces" Collection, Los Angeles County Museum of Art, August 17, 2014 - October 26, 2014, photo © Museum Associates/LACMA

Fragmentary Tales: Selections from the Lloyd Cotsen “Textile Traces” Collection

Aug 17–Oct 26, 2014 | Ahmanson Building, Level 2

Fragmentary Tales: Selections from the Lloyd Cotsen “Textile Traces” Collection
Aug 17–Oct 26, 2014 | Ahmanson Building, Level 2

Visually and intellectually compelling, textile fragments hold clues and tell stories about the past. An excerpt from the extensive collection of fragments assembled by Lloyd Cotsen, this exhibition presents mysterious and tantalizingly incomplete segments of textiles from throughout history and from around the world, from Peru to Uzbekistan to China and representing a span of more than 2,000 years.

Fragmentary Tales traces a collector’s interest in pattern, color, and texture...

Top: Ten Longevity Symbols, Late Joseon, Courtesy of National Palace Museum of Korea. 

Bottom: Congratulating the Birth of Crown Prince, 1784, Courtesy of the National Museum of Korea

Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392–1910

Jun 29–Sep 28, 2014 | Hammer Building, Level 2

Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392–1910
Jun 29–Sep 28, 2014 | Hammer Building, Level 2

Treasures from Korea presents more than 150 works from the time of the world's longest-ruling Confucian dynasty, lasting more than 500 years. On display are many Korean national treasures that have never before been shown in the United States. This comprehensive survey is organized around five key themes that together illuminate a period that continues to influence modern manners, norms and social attitudes: the role of the king and his...

Paul Gauguin, The Swineherd (Le Gardien de porcs), 1888, Los Angeles County Museum of Art, Gift of Lucille Ellis Simon and family in honor of the museum's twenty-fifth anniversary. Photo © 2013 Museum Associates/ LACMA

Expressionism in Germany and France: From Van Gogh to Kandinsky

Jun 8–Sep 14, 2014 | Resnick Pavilion

Expressionism in Germany and France: From Van Gogh to Kandinsky
Jun 8–Sep 14, 2014 | Resnick Pavilion

Expressionism in Germany and France: From Van Gogh to Kandinsky sheds new light on the extraordinary response of artists in Germany and France to key developments in modern art in the early 20th century. For the first time in a major museum exhibition, Expressionism is presented as an international movement in which artists responded with various aesthetic approaches to the work of modern masters such as Vincent van Gogh, Paul...

John Altoon, Untitled, 1964, from the Hyperion Series, pastel and ink on illustration board, 56 × 40 inches, Dr. David and Arline Edelbaum. © 2014 Estate of John Altoon, photo © 2014 Museum Associates/LACMA.

John Altoon

Jun 8–Sep 14, 2014 | BCAM, Level 2

John Altoon
Jun 8–Sep 14, 2014 | BCAM, Level 2

John Altoon is the first major retrospective devoted to this little-known yet important artist whose brief but significant career unfolded in southern California from the 1950s until his untimely death in 1969 at age 43. The exhibition includes approximately 70 paintings and drawings from public and private collections across the United States.

Trained as a commercial illustrator as well as a fine artist, Altoon developed both an abstract vocabulary influenced...

Sam Doyle, Dr. Crow, 1970-83. House paint on metal. Gordon W. Bailey Collection.

Sam Doyle: The Mind's Eye — Works from the Gordon W. Bailey Collection

May 3–Sep 1, 2014 | Art of the Americas Building, Level 3

Sam Doyle: The Mind's Eye — Works from the Gordon W. Bailey Collection
May 3–Sep 1, 2014 | Art of the Americas Building, Level 3

Sam Doyle was born in 1906 on Saint Helena Island, South Carolina, the center of the region's Gullah community, where African influences thrived. He began making paintings on cast-off sheet metal and wood panels in 1944; most were portraits of people and events important to his community. He displayed the paintings to the public in the yard of his clapboard house. By the time Doyle retired in the late 1960s...

Florian Maier-Aichen, Untitled, 2007, Chromogenic print, Gift of Sheridan Brown, M.2013.140.3. © Courtesy of the artist; Blum & Poe, Los Angeles; Gagosian Gallery, New York; and 303 Gallery, New York.

Night in Day

May 3–Aug 24, 2014 | Hammer Building, Level 3

Night in Day
May 3–Aug 24, 2014 | Hammer Building, Level 3

Since the invention of photography, artists have looked to the night as a rich subject for photographic exploration.  Between sunset and sunrise, when the responsibilities of the day give way to the autonomy of the night, the world takes on a mysterious glow that is rich with metaphor and innuendo.

The exhibition title, Night in Day, references a poem by Joseph Stroud that reflects on those slivers of the...

Installation photograph, Calder and Abstraction: From Avant-Garde to Iconic, Los Angeles County Museum of Art, November 24, 2013–July 27, 2014, © 2014 Calder Foundation, New York, Artists Rights Society (ARS), NY, photo © 2014 Fredrik Nilsen

Calder and Abstraction: From Avant-Garde to Iconic

Nov 24, 2013–Jul 27, 2014 | Resnick Pavilion

Calder and Abstraction: From Avant-Garde to Iconic
Nov 24, 2013–Jul 27, 2014 | Resnick Pavilion

One of the most important artists of the twentieth century, Alexander Calder revolutionized modern sculpture. Calder and Abstraction: From Avant-Garde to Iconic, with significant cooperation from the Calder Foundation, explores the artist’s radical translation of French Surrealist vocabulary into American vernacular. His most iconic works, coined mobiles by Marcel Duchamp, are kinetic sculptures in which flat pieces of painted metal connected by wire move delicately in the air, propelled by...

Kehinde Wiley, Samuel Eto'o, 2010, Roberts & Tilton Gallery, © Kehinde Wiley, Image courtesy of Kehinde Wiley, and Roberts & Tilton, Culver City, California.

Fútbol: The Beautiful Game

Feb 2–Jul 20, 2014 | BCAM, Level 3: Nathanson Gallery

Fútbol: The Beautiful Game
Feb 2–Jul 20, 2014 | BCAM, Level 3: Nathanson Gallery

The exhibition examines football—nicknamed "the beautiful game" by one sports commentator—and its significance in societies around the world. As a subject, football touches on issues of nationalism and identity, globalism and mass spectacle, as well as the common human experience shared by spectators from many cultures. Celebrating the sport on the eve of the 2014 World Cup in Brazil, the exhibition includes approximately thirty artists from around the world who...

Installation view, Chinese Paintings from Japanese Collections, May 11–July 6, 2014, Los Angeles County Museum of Art, photo © 2014 Museum Associates/LACMA

Chinese Paintings from Japanese Collections

May 11–Jul 6, 2014 | Resnick Pavilion

Chinese Paintings from Japanese Collections
May 11–Jul 6, 2014 | Resnick Pavilion

This is the first major exhibition in the United States to explore the story of Chinese paintings in Japan over the course of six hundred years, featuring nearly forty masterpieces of the Tang (618–906), Song (960–1279), Yuan (1260–1368), and Ming (1368–1644) dynasties. Most of these paintings, owned by Japanese museums, have never been displayed outside of Japan.

The exhibition demonstrates Japan’s role in preserving a large part of China’s cultural and artistic...

Helen Pashgian, Untitled, 2012–13, © Helen Pashgian, photo © 2014 Museum Associates/LACMA.

Helen Pashgian: Light Invisible

Mar 30–Jun 29, 2014 | Art of the Americas Building, Level 2

Helen Pashgian: Light Invisible
Mar 30–Jun 29, 2014 | Art of the Americas Building, Level 2

Helen Pashgian: Light Invisible features the first large-scale sculptural installation by this pioneer of the Light and Space movement.

After taking up sculpture in the late 1960s, Pashgian became one of a group of artists in the Los Angeles area to experiment with new materials such as fiberglass, resin, plastic, and coated glass. For the current exhibition, Pashgian has created 12 molded-acrylic columns that fill an entire gallery. The sculpture...

Lorser Feitelson, Hardedge Line Painting, 1963, Enamel on canvas, 72 x 60 in. (182.88 x 152.4 cm), Los Angeles County Museum of Art, anonymous gift through the Contemporary Art Council (M.64.7). © The Feitelson / Lundeberg Art Foundation.

Four Abstract Classicists

Dec 21, 2013–Jun 29, 2014 | Ahmanson Building, Level 2

Four Abstract Classicists
Dec 21, 2013–Jun 29, 2014 | Ahmanson Building, Level 2

Four Abstract Classicists features hard-edge abstractions from LACMA’s collection by Karl Benjamin, Lorser Feitelson, Frederick Hammersley, and John McLaughlin. The term “abstract classicists” was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA’s existence as an independent art museum). The work...

Installation Photograph: Kaz Oshiro: Chasing Ghosts, Los Angeles County Museum of Art, 2014

Kaz Oshiro: Chasing Ghosts

Jan 24–Jun 7, 2014

Kaz Oshiro: Chasing Ghosts
Jan 24–Jun 7, 2014

As part of the museum’s ongoing engagement with the community, LACMA presents an exhibition of work by Kaz Oshiro at the museum's satellite gallery within Charles White Elementary School. The exhibition juxtaposes objects Oshiro selected from the museum's collection, new work based on his interactions at the school, and student art. Oshiro is best known for creating high fidelity sculptures of everyday objects—microwaves, dumpsters, file cabinets. By using the...

Itō Jakuchū (Japan, 1716–1800), Birds, Animals, and Flowering Plants, 18th century

The Color of Life: Japanese Paintings from the Price Collection

Feb 1–Apr 20, 2014 | Pavilion for Japanese Art

The Color of Life: Japanese Paintings from the Price Collection
Feb 1–Apr 20, 2014 | Pavilion for Japanese Art

The Color of Life: Japanese Paintings from the Price Collectionfeatures works by artists Itō Jakuchū, Nagasawa Rosetsu, Maruyama Ōkyo, Suzuki Kiitsu, Sakai Hōitsu, and Kawanabe Kyōsai, among others. The masterpieces on view in the exhibition are part of the renowned collection of Etsuko and Joe Price.

In 2013 this exhibition traveled to three cities in the Tōhoku region of Japan, which was directly impacted by the great earthquake and...

James Turrell, Breathing Light, 2013, LED light into space, Los Angeles County Museum of Art, purchased with funds provided by Kayne Griffin Corcoran and the Kayne Foundation, M.2013.1, © James Turrell, Photo © Florian Holzherr.

James Turrell: A Retrospective

May 26, 2013–Apr 6, 2014 | BCAM, Level 2

James Turrell: A Retrospective
May 26, 2013–Apr 6, 2014 | BCAM, Level 2

James Turrell: A Retrospective explores nearly fifty years in the career of James Turrell (b. 1943, Los Angeles), a key artist in the Southern California Light and Space movement of the 1960s and 70s. The exhibition includes early geometric light projections, prints and drawings, installations exploring sensory deprivation and seemingly unmodulated fields of colored light, and recent two-dimensional work with holograms. One section is devoted to the Turrell masterwork in...

György Kepes, Balance, 1942, Gelatin Silver Print, The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin, © The György Kepes Estate.

See the Light—Photography, Perception, Cognition: The Marjorie and 
Leonard Vernon Collection


Oct 27, 2013–Mar 23, 2014 | Resnick Pavilion

See the Light—Photography, Perception, Cognition: The Marjorie and 
Leonard Vernon Collection

Oct 27, 2013–Mar 23, 2014 | Resnick Pavilion

Los Angeles residents Marjorie and Leonard Vernon began to collect photography in 1975, eventually building a collection of some 3,600 photographs spanning the entire history of the medium. In 2008 LACMA acquired the complete collection, making it possible for the museum to represent photography’s full range and its centrality in modern visual culture. This exhibition of 220 photographs from the Vernon Collection takes a historical perspective, identifying parallels between photography...

Gabriel Figueroa, scene from the film La perla, directed by Emilio Fernández, 1945. © Televisa Foundation

Under the Mexican Sky: Gabriel Figueroa—Art and Film

Sep 22, 2013–Feb 2, 2014 | Art of the Americas Building, Level 2

Under the Mexican Sky: Gabriel Figueroa—Art and Film
Sep 22, 2013–Feb 2, 2014 | Art of the Americas Building, Level 2

From the early 1930s through the early 1980s, the Mexican cinematographer Gabriel Figueroa (1907–1997) helped forge an evocative and enduring image of Mexico. Among the most important cinematographers of the so-called Golden Age of Mexican Cinema, Figueroa worked with leading directors from Mexico, the United States and Europe, traversing a wide range of genres while maintaining his distinctive and vivid visual style. In the 1930s, Figueroa was part of a...

Pinaree Sanpitak (Thailand, b. 1961), Hanging by a Thread, printed cotton, Courtesy of the artist and Tyler Rollins Fine Art, New York. Installation views, Los Angeles County Museum of Art, 2013 © Pinaree Sanpitak. LACMA/Museum Associates 2013

Pinaree Sanpitak: Hanging by a Thread

Jul 21–Sep 29, 2013 | Ahmanson Building, Level 4

Pinaree Sanpitak: Hanging by a Thread
Jul 21–Sep 29, 2013 | Ahmanson Building, Level 4

Since the early 1990s, Bangkok-based artist Pinaree Sanpitak has produced a diverse body of work exploring the human form and the various qualities associated with the female body. Her installation Hanging by a Thread consists of eighteen hammocks woven from printed cotton textiles, known as paa-lai, used throughout Thailand for clothing and other purposes. When Thailand suffered severe floods during the 2011 monsoon season, royal-sponsored relief efforts included the...

Installation views, The Presence of the Past: Peter Zumthor Reconsiders LACMA, June 9—September 15, 2013, Los Angeles County Museum of Art, Photo © 2013 Museum Associates/LACMA.

The Presence of the Past: Peter Zumthor Reconsiders LACMA

Jun 9–Sep 15, 2013 | Resnick Pavilion

The Presence of the Past: Peter Zumthor Reconsiders LACMA
Jun 9–Sep 15, 2013 | Resnick Pavilion

Swiss architect Peter Zumthor, commissioned to rethink the east campus at LACMA, continues to provide new insight into the meaning and function of an encyclopedic museum and the relationship of architecture to its site. The Presence of the Past: Peter Zumthor Reconsiders LACMA, an exhibition that was on view at the museum through September 15, 2013, presented the future of the museum's campus through a detailed examination of the museum's...