Mark Bradford: 150 Portrait Tone
Mark Bradford: 150 Portrait Tone
Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.
The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.
This exhibition will close at 1 pm on Saturday, November 2, while the museum is temporarily closed.
This installation was organized by the Los Angeles County Museum of Art in honor of the 2017 Art + Film Gala.
Image: Mark Bradford, 150 Portrait Tone, 2017, Los Angeles County Museum of Art, purchased with funds provided by Jimmy Iovine, Liberty Ross, and Family, © Mark Bradford
- Ongoing
- Resnick Pavilion
- Closed Today
- Estimated visit time: 15 minutes
This installation was organized by the Los Angeles County Museum of Art in honor of the 2017 Art + Film Gala.
Image: Mark Bradford, 150 Portrait Tone, 2017, Los Angeles County Museum of Art, purchased with funds provided by Jimmy Iovine, Liberty Ross, and Family, © Mark Bradford
Media
Directed by Dime Davis
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Masterpiece Moment is a new video series created by Bank of America designed to showcase works of art in the collections of 25 museum partners across the United States.
In this video, LACMA’s CEO and Wallis Annenberg Director Michael Govan discusses Mark Bradford’s 150 Portrait Tone.