Three works dating to 1513–14 are singled out as the crowning achievements of Albrecht Dürer’s illustrious career as an engraver: Knight, Death and the Devil; Melencolia I; and Saint Jerome in his Study. Closely related in size and complexity of execution, these three prints are known as Dürer’s Master Engravings. Press the play button below to hear Naoko Takahatake, Associate Curator of Prints and Drawings at LACMA, discuss one of these Master Engravings: Saint Jerome in his Study. Scroll down to read the transcript.
 

Press the play button below to hear J. Patrice Marandel, The Robert H. Ahmanson Chief Curator of European Art at LACMA, discuss the Anabaptist movement and its two leaders Jan van Leiden and Bernhard Knipperdolling, who are pictured in these copperplate engravings. Scroll down to read the transcript.
 

Press the play button below to hear J. Patrice Marandel, The Robert H. Ahmanson Chief Curator of European Art at LACMA, discuss the Cranach portraits of Martin Luther and Philipp Melanchthon. Scroll down to read the transcript.
 

Press the play button below to hear J. Patrice Marandel, The Robert H. Ahmanson Chief Curator of European Art at LACMA, discuss two sculptures by Tilman Riemenschneider. Scroll down to read the transcript.
 

Press the play button below to hear J. Patrice Marandel, The Robert H. Ahmanson Chief Curator of European Art at LACMA, introduce the exhibition and discuss the historical significance of the show. Scroll down to read the transcript.
 

El período victoriano (1837-1901) —junto con los principios de la era romántica y los finales de la era eduardiana— ha sido una fuente abundante de inspiración visual y narrativa. Además, el cineasta está atento a las interpretaciones posteriores de la literatura victoriana, desde la Casa Embrujada de Disneyland, la cual abrió sus puertas en 1969, hasta steampunk, un subgénero de ciencia ficción que evoca la estética del siglo XIX.