Collections
Spanish Colonial Art
The collection of Spanish colonial art presents the artistic achievements of Latin America, from Columbus’s first encounter with the people of the Caribbean through the region’s independence movements and the subsequent formation of nation states. In 1492, Columbus’s world-changing voyage joined the vast network of trade routes between Asia, Europe, and Africa to the sophisticated system of trade and interaction that already existed in the Americas. Not long after, Portugal colonized Brazil, and Spain created the viceroyalties of New Spain (present-day Mexico and Central America) and Peru (present-day South America except for the southern region and Brazil). With the blessing of the pope, the Spanish and Portuguese monarchs began converting the indigenous peoples to Christianity, and set up new administrative, juridical, and economic systems. Before the end of the sixteenth century, trade with Japan and China was established via the Spanish colony of the Philippines and the Manila galleons. Complex multiracial societies developed as Amerindians, Europeans, Asians, and Africans (who accompanied the early European expeditions as slaves) mixed.
The various forms of art produced throughout Latin America reflect the seminal changes in the development of new identities. The swiftness with which Europeans established themselves in the New World prompted a huge demand for artistic creations, especially with the founding of large religious institutions. Both fine and decorative arts flourished, reflecting the convergence of native and foreign traditions.
- Ilona Katzew, 2008
Unidentified artist
Poncho with Musicians (Poncho con músicos), late 17th-early 18th century
Attributed to Workshop of Manuel José de Mena Cárdenas
Set of Ecclesiastical Vestments: Stole (Partes de un terno eclesiástico: Estola), circa 1730
Attributed to Workshop of Manuel José de Mena Cárdenas
Set of Ecclesiastical Vestment: Collar (Partes de un terno eclesiástico: Collarín), circa 1730
Attributed to Workshop of Manuel José de Mena Cárdenas
Set of Ecclesiastical Vestment: Collar (Partes de un terno eclesiástico: Collarín), circa 1730
Unidentified artists
Coconut-Shell Cup (Coco chocolatero), 17th-18th century
Unidentified artist
Coconut-Shell Cup (Coco chocolatero), 17th-18th century
Unidentified artist
Leather-Bound Traveling Chest (Baúl de viaje encorado), late 17th-early 18th century [?]
Unidentified artists
Altar Frontal Plaque with Birds (Placa de frontal de altar con aves), 18th century
Unidentified artist
Virgin of Carmen with the Christ Child (Virgen del Carmen con el Niño Jesús), 18th century
Juan Patricio Morlete Ruiz
X. From Spaniard and Return Backwards, Hold Yourself Suspended in Midair (X. De español y torna atrás, tente en el aire), circa 1760
Juan Patricio Morlete Ruiz
View of the Port of Antibes (From the series Ports of France) (Vista del puerto de Antibes [De la serie Puertos de Francia]), 1771
Juan Patricio Morlete Ruiz
View of the Port of Sète (From the series Ports of France) (Vista del puerto de Sète [De la serie Puertos de Francia]), 1771
Antonio de Espinosa
The Twelve Months of the Year, May–June (Los doce meses del año, mayo-junio), second half of the 17th century
Nicolás Enríquez
The Crucifixion (La crucifixión), 1790
Antonio de Espinosa
The Twelve Months of the Year, January–February (Los doce meses del año, enero-febrero), second half of the 17th century
Antonio de Espinosa
The Twelve Months of the Year, March–April (Los doce meses del año, marzo-abril), second half of the 17th century
Antonio de Espinosa
The Twelve Months of the Year, July–August (Los doce meses del año, julio-agosto), second half of the 17th century
Antonio de Espinosa
The Twelve Months of the Year, November–December (Los doce meses del año, noviembre-diciembre), second half of the 17th century
Unidentified artist
Saltillo Sarape (Sarape de Saltillo), 1750-1800
Unidentified artist
Sewing or Jewelry Box (Costurero o joyero), last third of the 18th century